Stars WIP 2

I’m slowly making progress with my handworked stars.  I’ve decided that I will try to do one each night and then I will have a quilt in no time! (kidding!!!)

These are this week’s effort.  A little wonky in some areas as I’m still on a learning curve.  The cutting is the hard part, but I find the stitching quite relaxing and rewarding each evening as I see the finished product.

Cosmo lounging

 

It has the added benefit that “the boys” can either sit on my lap or close by!Stars 2I originally had a specific colourway in mind but it’s been difficult to find fabric to fussy-cut, so I’m not sure how I will deal with colours in the end.  A true work in progress!

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Santa Fe delights

Cashmere and Chocolate

 

One of my joyful encounters in stores in Santa Fe was at Chocolate and Cashmere, two of my favourite things in one place – BLISS!  This photo shows all the different colours of the cashmere scarves.  The cashmere is imported from Scotland and then dyed and woven in Santa Fe. I succumbed to a striped rainbow scarf and some chocolate caramels.

The adobe buildings were beautiful structures and the whole centre of the  town felt as it was on a “human” scale.

SF buildingsSf doorwaySF bathroomEven the bathrooms were beautiful!

Central PlazaThe central plaza comes alive on the week-ends. As you can see from the blue skies the weather was beautiful most of the time.  I spent my days visiting museums and galleries, eating great food and strolling around the streets soaking up the atmosphere.

The talents of local weavers were on display all over the town including in my hotel. I wanted to roll one of these up and sneak it into my suitcase.

Santa Fe rugsThe hotel also had locally made ceramics and art displayed in the foyer. It was very atmospheric in the evenings when the fireplace was lit.  Just right with a glass of red wine or two!

SF hotel foyerBack to my more mundane life in Sydney – SIGH.  Hope your day has some creative delights.

Art and Sculptures in Santa Fe

I thought we could all do with a break from Quiltcon photos, so today some photos from my short visit to Santa Fe.  One of the things that struck me was the number of outdoor sculptures which livened up the streetscapes.  The top and bottom ones are from Canyon Road and the middle one is in the courtyard of the Museum of Contemporary Native Arts which is certainly worth a visit.

S Fe 1S Fe2SFe 3I also thoroughly enjoyed my visit to the Museum of International Folk Arts on Museum Hill.

Folk Arts MuseuoI snapped a couple of my favourite exhibits, but unfortunately I didn’t manage to get an artist attribution.  I wanted to take them home!

Folk Art 1Folk Art 2Folk Art 3

 

The diorama displays were just stunning, I could have spent many hours just looking at the meticulous creations and artwork. The photo below shows part of the one depicting village life in Mexico.  The museum is a delight for anyone interested in folk arts.  Of course I supported it by a visit to their gift shop for some folk art to bring home.Folk Art 4Folk Art 5

Doesn’t this make our modern baby carriers look rather boring?  The bead work was amazing – I cannot imagine how many beads are stitched on this – just beautiful.

A few more from Santa Fe later in the week.

What I learnt at Quiltcon

I attended three workshops and a number of lectures at Quilton. I found some of the lectures to be disappointing, and in my view pitched at too low a level of knowledge and skill.  However, the last lecture I attended on Sunday, Alternate Gridwork presented by Heather Grant was the highlight of my “learning” at Quiltcon.

Heather explored how using different grids drawn from graphic, web and print design, can help the design process.  The slides which accompanied the lecture clearly illustrated how varying grid patters could dramatically change the impact of the design. This might not be a revelation to many of you, but to me a large light bulb went off in my head.  It was exactly what I needed to know and is certainly something I will be using in future as I play with design ideas.  I’m even considering buying EQ7 so that I can easily do this on a computer. I’d be interested to hear your thoughts on whether you think computer design tools are useful.

I enjoyed all my workshops and each gave me a “nugget” of info or skill to take home. I was lucky enough to attend:

  1. Basic Improv Quiltmaking with Quilters of Gee’s Bend
  2. Improvisational Doodling with Sherri Lynn Wood
  3. Color Inspiration with Bill Kerr

Gee's Bend

The Gee’s Bend quilters were Mary Ann Pettway, China Pettway, Gloria Hoppins and Lucy Witherspoon. They sang a spiritual for us and blessed us with a prayer before we started stitching. Whilst the workshop was light on specific instruction the ladies gave us colour suggestions,  construction ideas and support.  It was a delight to meet them in person.

 

Gees Bend blockThey also showed us some works in progress.  Their sense of colour and scale is inspiring.  It just feels “right” to me.  I have a beautiful book about them and their quilts and I was sorry I couldn’t take it to Austin for them to autograph.

2015-02-20 08.52.0Gee's Bend block 2

 

 

 

China  (2nd from left in the above photo) worked with me on a piece in which I used home decorating fabrics and Japanese kimono fabrics in greys and blacks with a shot of bright cherry pinkish red.  It’s about 12 x 12 now and I think I will continue with it to make it into something (not sure what) larger.

 

Sherri Lynn Wood, inspired by the ladies from Gee’s Bend, also opened our workshop with a song.  We started by exploring the different shapes that might be drawn in a doodle or pieced in a quilt and discussed some construction techniques. Sherri Lynn asked us go freehand and not to use rulers or to take measurements, but to begin and then let the piece speak to us, or to find natural fits for the next piece of the doodle so that patterns emerged from the use of simple shapes.

Doodling

We had all bought along a bag of  mixed fabric and soon were slicing, dicing and  stitching.  I wanted to explore cutting  and stitching curves, so spent most of my time trying to get a handle on that.

The room was bustling with creative energy as you can see from the pieces below.  I’m always fascinated by what people can come up with in such a short space of time.

Doodling 2We did a reflective evaluation of our work during the day and also at the end of the workshop.

Sherri LynnSherri Lynn seemed pleased with our efforts.  I purchased her new book The Improv Handbook for Modern Quilters: A Guide to Creating, Quilting, and Living Courageously and naturally asked her to sign it for me.  I look forward to having some time to try out her concept of working from a score.

Last, but not least, was a 3 hour workshop with Bill Kerr which I thoroughly enjoyed.  Bill was a knowledgeable and enthusiastic instructor who was clearly passionate about the topic and about quilting.  He bought along bags of his quilts to illustrate principles of colour theory and a huge scrapbag of fabric for us to use.

Bill 1We had been asked to bring along a photo or an object with a colour palette that inspired us which we presented to the group. Bill analysed the colour interplay in each and we discussed the colour combinations.  He then did a “show and tell” of some quilts to illustrate colour interplay. Later in the workshop we used his scraps to improvise a fabric representation of our photo or object.  We then presented our pieces to the group and Bill commented and critiqued our colour choices and combinations. I learnt a lot from this, such as the effect of shadow and the interplay of light, and to notice very small differences in colour.

As you know from my previous posts using yellow has been a learning curve for me.  We discussed the placement of the yellow circle in the quilt above – we all agreed that it could not have been placed anywhere else in this quilt – it had to be placed in the centre or it would have made the rest of the quilt out of balance.

Some of Bill’s colour choices were more muted than I would normally use, some of his favourite fabrics are mud brown and kaki because of their ability to highlight other colours, but the principles behind those choices were insightful. All in all the workshop was a thoroughly enjoyable three hours.

Bill 2I’ve been giving some thought to what I have learnt, or not, from the various workshops I have attended since I started quilting in the past three years – but that will be the topic for another post.

Hope you have a colourful day!